In this unusual memoir of the life of the mind, the founding editor of The Threepenny Review reflects upon the choices she has made in pursuit of her vocation as a self-described "eighteenth-century man of letters." Wendy Lesser, one of our shrewdest cultural observers, describes how her education, her experiences, and the works of her favorite writers, artists, and performers ...(展开全部)

The Independent Design Guide The availability of high design at affordable prices has created a new generation of consumers who are looking for unusual and one-of-a-kind objects. A growing collector’s market has fueled the interest in young, emerging designers, whose work has become highly sought after, and galleries are opening everywhere to help meet this new demand. This is ...(展开全部)

The Curator’s Handbook is the essential handbook for curators and curatorial students, mapping every stage of the process of putting on an exhibition, no matter how traditional the venue, from initial idea to final installation. An introduction explores curatorial work from its origins in the seventeenth century onward and outlines the various roles of the curator today. Twelve...(展开全部)

The pioneering anthropologist Sherry B. Ortner combines her trademark ethnographic expertise with critical film interpretation to explore the independent film scene in New York and Los Angeles since the late 1980s. Not Hollywood is both a study of the lived experience of that scene and a critical examination of America as seen through the lenses of independent filmmakers. Based...(展开全部)

Qaidu (1236-1301), one of the great rebels in the history of the Mongol Empire, was the grandson of gedei, the son Genghis Khan had chosen to be his heir. After Genghis' death (1226), gedei was enthroned as the Great Khan or the Qa'an, the supreme ruler of the entire Mongol Empire. The gedeids retained their position as Qa'ans in the reign of gedei's son, Qaidu's uncle, Gnynk Q...(展开全部)

内容 615枚掲載！ 世界最高峰の黒いジャズ・カタログ メインストリーム・ジャズの凋落、フリー・ジャズの飽和、そしてコルトレーンの他界によりもたらされた“ジャズの死”──60年代末から70年代にかけての混沌とした時代を生きぬくため、黒人ジャズマンたちは自主レーベルを立ち上げ、アフリカ回帰や同胞への社会的メッセージなど、自らのアイデンティティを全面に打ち出した新しい時代のジャズを開拓していきました。“スピリチュアル・ジャズ”や“ドロドロ・ジャズ”とも呼ばれる、これらインディペンデントな精神を持った黒人ジャズ作品を、より深く探索して網羅的に紹介するのが本書。主要レーベルの全作品紹介、マニア垂涎のレア盤を多数含むディスク・カタログ（LP裏ジャケットも全作品掲載）、そして関係者のインタビューや貴重な当時の資料など、圧倒的なボリュームでお届けします。 【CON...(展开全部)

【作者介绍】 丽贝卡·特雷斯特（Rebecca Traister），新闻记者，时尚杂志ELLE特约编辑，擅长分析女性在政治、经济和社会生活中的表现，为《纽约时报》、《华盛顿邮报》、Vogue等多家杂志撰稿，著有《女孩别哭》（Big Girls Don’t Cry），即将出版《重塑美国 的女性愤怒》（Good and Mad: How Women’s Anger is Reshaping America）。 【译者介绍】 管燕红，1971年出生，华东师范大学外语学院英语系硕士研究生毕业。曾参与《朗文高级英汉双解词典》和《朗文进阶英汉双解词典》多个版本以及其它多种词典的翻译工作。此外还译有与英语学习相关的一些图书。 贺梦菲，河北石家庄人，华中师范大学汉语言文学专业与英语专业双学位学士，西南大学比较文学与世界文学专业硕士在读。热爱翻译与阅读，是世界文学作品...(展开全部)

A nuanced investigation into the sexual, economic, and emotional lives of women in America. In a provocative, groundbreaking work, National Magazine Award finalist Rebecca Traister, “the most brilliant voice on feminism in the country” (Anne Lamott), traces the history of unmarried and late-married women in America who, through social, political, and economic means, have radica...(展开全部)

彼得·毕斯肯德（Peter Biskind），美国资深影评家，《首映》前主编，《名利场》特约撰稿人，本书之前的另一著作Easy Riders, Raging Bulls已成为当代电影史的新经典教程。